The Social Project

Housing Postwar France

Nonfiction, Art & Architecture, Architecture, Planning, History, Social & Cultural Studies, Social Science, Sociology, Urban
Cover of the book The Social Project by Kenny Cupers, University of Minnesota Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kenny Cupers ISBN: 9781452941066
Publisher: University of Minnesota Press Publication: April 1, 2014
Imprint: Univ Of Minnesota Press Language: English
Author: Kenny Cupers
ISBN: 9781452941066
Publisher: University of Minnesota Press
Publication: April 1, 2014
Imprint: Univ Of Minnesota Press
Language: English

Winner of the 2015 Abbott Lowell Cummings prize from the Vernacular Architecture Forum
Winner of the 2016 Sprio Kostof Book Award from the Society of Architectural Historians


In the three decades following World War II, the French government engaged in one of the twentieth century’s greatest social and architectural experiments: transforming a mostly rural country into a modernized urban nation. Through the state-sanctioned construction of mass housing and development of towns on the outskirts of existing cities, a new world materialized where sixty years ago little more than cabbage and cottages existed.

Known as the banlieue, the suburban landscapes that make up much of contemporary France are near-opposites of the historic cities they surround. Although these postwar environments of towers, slabs, and megastructures are often seen as a single utopian blueprint gone awry, Kenny Cupers demonstrates that their construction was instead driven by the intense aspirations and anxieties of a broad range of people. Narrating the complex interactions between architects, planners, policy makers, inhabitants, and social scientists, he shows how postwar dwelling was caught between the purview of the welfare state and the rise of mass consumerism.

The Social Project unearths three decades of architectural and social experiments centered on the dwelling environment as it became an object of modernization, an everyday site of citizen participation, and a domain of social scientific expertise. Beyond state intervention, it was this new regime of knowledge production that made postwar modernism mainstream. The first comprehensive history of these wide-ranging urban projects, this book reveals how housing in postwar France shaped both contemporary urbanity and modern architecture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Winner of the 2015 Abbott Lowell Cummings prize from the Vernacular Architecture Forum
Winner of the 2016 Sprio Kostof Book Award from the Society of Architectural Historians


In the three decades following World War II, the French government engaged in one of the twentieth century’s greatest social and architectural experiments: transforming a mostly rural country into a modernized urban nation. Through the state-sanctioned construction of mass housing and development of towns on the outskirts of existing cities, a new world materialized where sixty years ago little more than cabbage and cottages existed.

Known as the banlieue, the suburban landscapes that make up much of contemporary France are near-opposites of the historic cities they surround. Although these postwar environments of towers, slabs, and megastructures are often seen as a single utopian blueprint gone awry, Kenny Cupers demonstrates that their construction was instead driven by the intense aspirations and anxieties of a broad range of people. Narrating the complex interactions between architects, planners, policy makers, inhabitants, and social scientists, he shows how postwar dwelling was caught between the purview of the welfare state and the rise of mass consumerism.

The Social Project unearths three decades of architectural and social experiments centered on the dwelling environment as it became an object of modernization, an everyday site of citizen participation, and a domain of social scientific expertise. Beyond state intervention, it was this new regime of knowledge production that made postwar modernism mainstream. The first comprehensive history of these wide-ranging urban projects, this book reveals how housing in postwar France shaped both contemporary urbanity and modern architecture.

More books from University of Minnesota Press

Cover of the book X-Marks by Kenny Cupers
Cover of the book Players and Their Pets by Kenny Cupers
Cover of the book The Seeds We Planted by Kenny Cupers
Cover of the book West of Center by Kenny Cupers
Cover of the book The Financial Imaginary by Kenny Cupers
Cover of the book Escape from New York by Kenny Cupers
Cover of the book The Reorder of Things by Kenny Cupers
Cover of the book And There I Stood with My Piccolo by Kenny Cupers
Cover of the book Crossing the Barriers by Kenny Cupers
Cover of the book Testing Fate by Kenny Cupers
Cover of the book Bodies of Information by Kenny Cupers
Cover of the book Dead Labor by Kenny Cupers
Cover of the book Interpreting Anime by Kenny Cupers
Cover of the book Zenith City by Kenny Cupers
Cover of the book When Eagles Fall by Kenny Cupers
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy