The epigram in England, 1590–1640

Nonfiction, History, Modern, Fiction & Literature, Literary Theory & Criticism
Cover of the book The epigram in England, 1590–1640 by James Doelman, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James Doelman ISBN: 9781784998028
Publisher: Manchester University Press Publication: June 17, 2016
Imprint: Manchester University Press Language: English
Author: James Doelman
ISBN: 9781784998028
Publisher: Manchester University Press
Publication: June 17, 2016
Imprint: Manchester University Press
Language: English

While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within specific social, political and religious contexts. The book explores questions of libel, censorship and patronage associated with the genre, and includes chapters on the sub-genres of the religious epigram, political epigram and mock epitaph. It balances discussion of canonical figures such as Ben Jonson and Sir John Harington with a wide range of lesser known poets, drawing on both manuscript and print sources. In its breadth The epigram in England serves as a foundational introduction to the genre for students, and through its detailed case studies it offers rich analysis for advanced scholars.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within specific social, political and religious contexts. The book explores questions of libel, censorship and patronage associated with the genre, and includes chapters on the sub-genres of the religious epigram, political epigram and mock epitaph. It balances discussion of canonical figures such as Ben Jonson and Sir John Harington with a wide range of lesser known poets, drawing on both manuscript and print sources. In its breadth The epigram in England serves as a foundational introduction to the genre for students, and through its detailed case studies it offers rich analysis for advanced scholars.

More books from Manchester University Press

Cover of the book Conflict to peace by James Doelman
Cover of the book The ethics of war by James Doelman
Cover of the book Syria and the chemical weapons taboo by James Doelman
Cover of the book Gothic kinship by James Doelman
Cover of the book Rebel by vocation by James Doelman
Cover of the book Spilling the beans by James Doelman
Cover of the book John McGahern by James Doelman
Cover of the book Destigmatising mental illness? by James Doelman
Cover of the book The economics of disability by James Doelman
Cover of the book Women and museums 1850–1914 by James Doelman
Cover of the book Literary visions of multicultural Ireland by James Doelman
Cover of the book The Houses of History by James Doelman
Cover of the book Using film as a source by James Doelman
Cover of the book The United States Supreme Court by James Doelman
Cover of the book The Irish amateur military tradition in the British Army, 1854–1992 by James Doelman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy