The color of skin: Intra-racial prejudice in the Harlem Renaissance

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book The color of skin: Intra-racial prejudice in the Harlem Renaissance by Catrin Collath, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Catrin Collath ISBN: 9783638110709
Publisher: GRIN Publishing Publication: January 28, 2002
Imprint: GRIN Publishing Language: English
Author: Catrin Collath
ISBN: 9783638110709
Publisher: GRIN Publishing
Publication: January 28, 2002
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 1- (A-), University of Hamburg (Institute for english language and culture), course: Seminar II: Neither Black Nor White-Yet Both: Miscegenation and Passing in Interracial Literature, 12 entries in the bibliography, language: English, abstract: Introduction THERE! That's the kind I've been wanting to show you! One of the best examples of the specie. Not like those diluted Negroes you see so much of on the streets these days, but the real thing. Black, ugly, and odd. You can see the savagery. The blunt blankness. That is the real thing. (Gwendolyn Brooks)(1) It is not only Lincoln in Gwendolyn Brooks's poem (1970) who is regarded as ugly because of his pronounced black features. In Wallace Thurman's novel The Blacker the Berry the protagonist also experiences different forms of intra-racial prejudice. Like Lincoln, Emma Lou is regarded as 'the real thing [-] black, ugly and odd.' This is at least how she feels and how she sees herself, always observing herself through the eyes of others. To give a brief introduction to the topic of intra-racial prejudice, Brooks's poem was chosen to support the fact that people are prejudiced against other people; even though they belong to the same race. Although the utterance about Lincoln is made by a white man in a movie theater, it cannot be denied that those racist remarks also occur among people who are perceived to belong to one and the same race. Either way, Lincoln is regarded as being the ugliest boy that everyone ever saw. And this is exactly how Emma Lou feels. She supports the misconception of the white man at the movie theater and of society's stereotypes that dark-skinned blacks do not know as much as light-skinned blacks and therefore are considered to be inferior. The author already makes a distinction between dark-skinned African Americans and not that dark-skinned African Americans when he compares the 'real thing' black person with 'those diluted Negroes you see so much of on the streets these days'. With this phrase she covers one of the major topics in Wallace Thurman's novel which is about prejudice within one race. The protagonist is always aware of her color which is a result of her sstruggle with the society and herself and it will be described on several examples in the novel. [...] ______ 1 http://www2.gasou.edu.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 1- (A-), University of Hamburg (Institute for english language and culture), course: Seminar II: Neither Black Nor White-Yet Both: Miscegenation and Passing in Interracial Literature, 12 entries in the bibliography, language: English, abstract: Introduction THERE! That's the kind I've been wanting to show you! One of the best examples of the specie. Not like those diluted Negroes you see so much of on the streets these days, but the real thing. Black, ugly, and odd. You can see the savagery. The blunt blankness. That is the real thing. (Gwendolyn Brooks)(1) It is not only Lincoln in Gwendolyn Brooks's poem (1970) who is regarded as ugly because of his pronounced black features. In Wallace Thurman's novel The Blacker the Berry the protagonist also experiences different forms of intra-racial prejudice. Like Lincoln, Emma Lou is regarded as 'the real thing [-] black, ugly and odd.' This is at least how she feels and how she sees herself, always observing herself through the eyes of others. To give a brief introduction to the topic of intra-racial prejudice, Brooks's poem was chosen to support the fact that people are prejudiced against other people; even though they belong to the same race. Although the utterance about Lincoln is made by a white man in a movie theater, it cannot be denied that those racist remarks also occur among people who are perceived to belong to one and the same race. Either way, Lincoln is regarded as being the ugliest boy that everyone ever saw. And this is exactly how Emma Lou feels. She supports the misconception of the white man at the movie theater and of society's stereotypes that dark-skinned blacks do not know as much as light-skinned blacks and therefore are considered to be inferior. The author already makes a distinction between dark-skinned African Americans and not that dark-skinned African Americans when he compares the 'real thing' black person with 'those diluted Negroes you see so much of on the streets these days'. With this phrase she covers one of the major topics in Wallace Thurman's novel which is about prejudice within one race. The protagonist is always aware of her color which is a result of her sstruggle with the society and herself and it will be described on several examples in the novel. [...] ______ 1 http://www2.gasou.edu.

More books from GRIN Publishing

Cover of the book Zur natürlichen Selbstorganisation - Vom Sein zum Werden by Catrin Collath
Cover of the book The position of women in the New World's Puritan Society in the seventeenth century by Catrin Collath
Cover of the book Location-based Mobile Games by Catrin Collath
Cover of the book African American Vernacular English in Contemporary Music by Catrin Collath
Cover of the book The function of drugs in Eugene O'Neill's 'Long Day's Journey into Night' and Tennessee Williams' 'A Streetcar Named Desire' by Catrin Collath
Cover of the book The EU in Bilateral Bargaining: The Agreement with Russia on Transit to Kaliningrad by Catrin Collath
Cover of the book WWII Liberation. An Analysis of Allied and Soviet Methods by Catrin Collath
Cover of the book Solidarity in Athol Fugards Township Plays by Catrin Collath
Cover of the book Identifying organisational strategy by Catrin Collath
Cover of the book Gunst- und Ungunstfaktoren der Anlage der Stadt Halle by Catrin Collath
Cover of the book The Doors - A Legend in American Rock Music by Catrin Collath
Cover of the book Can humour and politeness be combined? by Catrin Collath
Cover of the book Critically evaluate the view that the Internet facilitates not local cultures but cultural domination by transnational corporations by Catrin Collath
Cover of the book The change from an Anglo-Saxon to a Christian society. Problems of time and narrative in 'The Wanderer' by Catrin Collath
Cover of the book Crime in Business. Grey market products and EU-legislation by Catrin Collath
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy