The Artist-Operas of Pfitzner, Krenek and Hindemith

Politics and the Ideology of the Artist

Nonfiction, Entertainment, Music
Cover of the book The Artist-Operas of Pfitzner, Krenek and Hindemith by Claire Taylor-Jay, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Claire Taylor-Jay ISBN: 9781351546300
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Claire Taylor-Jay
ISBN: 9781351546300
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

This is the first book-length study of the genre of 'artist-opera', in which the work's central character is an artist who is uncomfortable with his place in the world. It investigates how three such operas (Pfitzner's Palestrina (1915), Krenek's Jonny spielt auf (1926) and Hindemith's Mathis der Maler (1935)) contributed to the debate in early twentieth-century Germany about the place of art and the artist in modern society, and examines how far the artist-character may be taken as functioning as a persona for the real composer of the work. Because of their concern with the place of art within society, the works are also engaged with inherently political questions, and each opera is read in the light of the political context of its time: conservatism circa World War I, Americanism and democracy, and the rise of National Socialism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is the first book-length study of the genre of 'artist-opera', in which the work's central character is an artist who is uncomfortable with his place in the world. It investigates how three such operas (Pfitzner's Palestrina (1915), Krenek's Jonny spielt auf (1926) and Hindemith's Mathis der Maler (1935)) contributed to the debate in early twentieth-century Germany about the place of art and the artist in modern society, and examines how far the artist-character may be taken as functioning as a persona for the real composer of the work. Because of their concern with the place of art within society, the works are also engaged with inherently political questions, and each opera is read in the light of the political context of its time: conservatism circa World War I, Americanism and democracy, and the rise of National Socialism.

More books from Taylor and Francis

Cover of the book Small Nations and Great Powers by Claire Taylor-Jay
Cover of the book Hegel and Psychoanalysis by Claire Taylor-Jay
Cover of the book Illusion and Reality by Claire Taylor-Jay
Cover of the book Reinventing Community by Claire Taylor-Jay
Cover of the book Ethics in Crisis by Claire Taylor-Jay
Cover of the book French Business Situations by Claire Taylor-Jay
Cover of the book Historical Criticism and the Meaning of Texts by Claire Taylor-Jay
Cover of the book Regulation Theory and Sustainable Development by Claire Taylor-Jay
Cover of the book Europe and Iran by Claire Taylor-Jay
Cover of the book Hume on Religion by Claire Taylor-Jay
Cover of the book Colonial Roots by Claire Taylor-Jay
Cover of the book Loose Fit City by Claire Taylor-Jay
Cover of the book Power and Politics in Globalization by Claire Taylor-Jay
Cover of the book Managing Persistent and Serious Offenders in the Community by Claire Taylor-Jay
Cover of the book Global Value Chains and the Missing Links by Claire Taylor-Jay
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy