Text, Lies and Cataloging

Ethical Treatment of Deceptive Works in the Library

Nonfiction, Reference & Language, Reference, Bibliographies
Cover of the book Text, Lies and Cataloging by Jana Brubaker, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jana Brubaker ISBN: 9781476632568
Publisher: McFarland & Company, Inc., Publishers Publication: July 10, 2018
Imprint: Language: English
Author: Jana Brubaker
ISBN: 9781476632568
Publisher: McFarland & Company, Inc., Publishers
Publication: July 10, 2018
Imprint:
Language: English

What do James Frey’s A Million Little Pieces, Margaret B. Jones’ Love and Consequence and Wanda Koolmatrie’s My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey’s fraudulent drug addiction “memoir” was really a semi-fictional novel, Jones’ chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial—and can be difficult when a book’s authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What do James Frey’s A Million Little Pieces, Margaret B. Jones’ Love and Consequence and Wanda Koolmatrie’s My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey’s fraudulent drug addiction “memoir” was really a semi-fictional novel, Jones’ chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial—and can be difficult when a book’s authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem.

More books from McFarland & Company, Inc., Publishers

Cover of the book Muses India by Jana Brubaker
Cover of the book The Fantastic in Holocaust Literature and Film by Jana Brubaker
Cover of the book The Union Sixth Corps in the Shenandoah Valley, June-October 1864 by Jana Brubaker
Cover of the book I Won't Grow Up! by Jana Brubaker
Cover of the book Italian Sword and Sandal Films, 1908-1990 by Jana Brubaker
Cover of the book Patricia A. McKillip and the Art of Fantasy World-Building by Jana Brubaker
Cover of the book Will the Real Pakistani Woman Please Stand Up? by Jana Brubaker
Cover of the book Writing the War by Jana Brubaker
Cover of the book Shapers of American Childhood by Jana Brubaker
Cover of the book The Irish and the Making of American Sport, 1835-1920 by Jana Brubaker
Cover of the book Lessons in Disability by Jana Brubaker
Cover of the book Arrow and Superhero Television by Jana Brubaker
Cover of the book Our Old Monsters by Jana Brubaker
Cover of the book The American Soldier, 1866-1916 by Jana Brubaker
Cover of the book Revisiting Mister Rogers' Neighborhood by Jana Brubaker
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy