Stereotypes about Northerners are reinforced in the scene Rodrigo's Concierto de Aranjuez in the film 'Brassed Off'

Nonfiction, Reference & Language, Study Aids, ESL, Foreign Languages
Cover of the book Stereotypes about Northerners are reinforced in the scene Rodrigo's Concierto de Aranjuez in the film 'Brassed Off' by Julia Wehner, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julia Wehner ISBN: 9783656142874
Publisher: GRIN Verlag Publication: February 29, 2012
Imprint: GRIN Verlag Language: English
Author: Julia Wehner
ISBN: 9783656142874
Publisher: GRIN Verlag
Publication: February 29, 2012
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Duisburg-Essen, language: English, abstract: Stereotypes are human nature and can never be avoided completely. However, stereotypes about Northern England and Northerners seem to be particularly deep-rooted and longlasting. There is general agreement that they date from the 18th and 19th century when Northern England was the starting point of the Industrial Revolution (Jewell 2). 'When we speak of stereotyped characters we are dealing, in particular, with [...] traditions deriving from the effects of the Industrial Revolution' (Morris 9). The stereotypical 'Northerners' are working-class people, not well educated, and their lives are full of struggle and conflict. According to many preconceptions a male Northerner is unhealthy, badly dressed and frank about sex. Further cliché attributes are pragmatic, direct and even rude, but also downto- earth, passionate and heartily. Northerners feel alienated from the government in the 'centre' London and distinguish between 'us' and 'them' which creates to a strong sense of community. In today's pop culture these stereotypes are predominantly media-transmitted. By using a certain mode of presenting Northern English reality and its inhabitants stereotypes are rather reinforced than replaced in the media. Hence, there is a specific pattern used to reinforce stereotypes about Northern England and Northerners in films such as in the film 'Brassed off'. The most striking features that intensify these clichés in 'Brassed off' are setting, language, protagonists and 4 topics. All these characteristics can be found in the scene when the Grimley Colliery Band practices Rodrigo's 'Concierto de Aranjuez'; thus this scene reinforces stereotypes about Northern England to a large extent.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Duisburg-Essen, language: English, abstract: Stereotypes are human nature and can never be avoided completely. However, stereotypes about Northern England and Northerners seem to be particularly deep-rooted and longlasting. There is general agreement that they date from the 18th and 19th century when Northern England was the starting point of the Industrial Revolution (Jewell 2). 'When we speak of stereotyped characters we are dealing, in particular, with [...] traditions deriving from the effects of the Industrial Revolution' (Morris 9). The stereotypical 'Northerners' are working-class people, not well educated, and their lives are full of struggle and conflict. According to many preconceptions a male Northerner is unhealthy, badly dressed and frank about sex. Further cliché attributes are pragmatic, direct and even rude, but also downto- earth, passionate and heartily. Northerners feel alienated from the government in the 'centre' London and distinguish between 'us' and 'them' which creates to a strong sense of community. In today's pop culture these stereotypes are predominantly media-transmitted. By using a certain mode of presenting Northern English reality and its inhabitants stereotypes are rather reinforced than replaced in the media. Hence, there is a specific pattern used to reinforce stereotypes about Northern England and Northerners in films such as in the film 'Brassed off'. The most striking features that intensify these clichés in 'Brassed off' are setting, language, protagonists and 4 topics. All these characteristics can be found in the scene when the Grimley Colliery Band practices Rodrigo's 'Concierto de Aranjuez'; thus this scene reinforces stereotypes about Northern England to a large extent.

More books from GRIN Verlag

Cover of the book Unterrichtsstunde zu Burkhard Spinnens Kurzgeschichte 'Ballon über der Landschaft' by Julia Wehner
Cover of the book Lernbereich Mathematik: Die Entstehung von Rechenschwierigkeiten und ihre Kompensation bzw. Prävention durch geeignete Fördermaßnahmen by Julia Wehner
Cover of the book A Historical Analysis of Ethnic Conflict in Nigeria by Julia Wehner
Cover of the book Rechtschreibreform und Öffentlichkeit in Österreich zwischen 1986 und 1994 by Julia Wehner
Cover of the book Schulangst, Prüfungsängstlichkeit, Leistungsängstlichkeit by Julia Wehner
Cover of the book Lehrprüfung und Lehrbeanstandung im Recht der katholischen Kirche by Julia Wehner
Cover of the book Kundenbefragung im Mercado-Center by Julia Wehner
Cover of the book Bildungstheorien des Nationalsozialismus by Julia Wehner
Cover of the book Spanien und Frankreich. Die spanisch-französischen Beziehungen ab Ende des 19. Jahrhunderts und Julio Cambas ABC-Artikel aus Paris by Julia Wehner
Cover of the book Hospizarbeit in Deutschland- Gespräche mit Schwerkranken und Sterbenden by Julia Wehner
Cover of the book Frankreichbilder in der medialen Präsentation des Tourismus by Julia Wehner
Cover of the book Borderline - Einblicke in ein komplexes Krankheitsbild by Julia Wehner
Cover of the book Wiederherstellung psychischer Gesundheit im Krieg by Julia Wehner
Cover of the book Die Schlacht bei Jena und Auerstedt 1806 als Medienereignis by Julia Wehner
Cover of the book Gentrification: Gentrifier, Pioniere und Alteingesessene by Julia Wehner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy