Music in the London Theatre from Purcell to Handel

Nonfiction, Art & Architecture, General Art, Entertainment, Music, History
Cover of the book Music in the London Theatre from Purcell to Handel by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781108124263
Publisher: Cambridge University Press Publication: June 29, 2017
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781108124263
Publisher: Cambridge University Press
Publication: June 29, 2017
Imprint: Cambridge University Press
Language: English

This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.

More books from Cambridge University Press

Cover of the book An Introduction to Political Philosophy by
Cover of the book The Cambridge Companion to William Faulkner by
Cover of the book Brain Disorders in Critical Illness by
Cover of the book How to Do Things with Rules by
Cover of the book Common Pitfalls in Sleep Medicine by
Cover of the book Music and Social Movements by
Cover of the book A Concise History of Sweden by
Cover of the book Diasporas and Foreign Direct Investment in China and India by
Cover of the book The Cambridge Companion to the Sonnet by
Cover of the book Do We Really Understand Quantum Mechanics? by
Cover of the book Effective Negotiation by
Cover of the book The Cambridge Companion to the Gospels by
Cover of the book Form, Program, and Metaphor in the Music of Berlioz by
Cover of the book A Critical History and Philosophy of Psychology by
Cover of the book The Mystery of the Last Supper by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy