Light as Experience and Imagination from Paleolithic to Roman Times

Nonfiction, Social & Cultural Studies, Social Science, Folklore & Mythology, Fiction & Literature, Literary Theory & Criticism, Religion & Spirituality
Cover of the book Light as Experience and Imagination from Paleolithic to Roman Times by David S. Herrstrom, Fairleigh Dickinson University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David S. Herrstrom ISBN: 9781683930952
Publisher: Fairleigh Dickinson University Press Publication: September 26, 2017
Imprint: Fairleigh Dickinson University Press Language: English
Author: David S. Herrstrom
ISBN: 9781683930952
Publisher: Fairleigh Dickinson University Press
Publication: September 26, 2017
Imprint: Fairleigh Dickinson University Press
Language: English

This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light—not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light.

Its approach is unique. The book’s true subject is the individual’s relationship with light, rather than the investigation of light’s essential nature. Ittells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light’s character. No individual experience of light is “truer” than any other; none improves on any previous experience of light’s “tidal pull” on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light—not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light.

Its approach is unique. The book’s true subject is the individual’s relationship with light, rather than the investigation of light’s essential nature. Ittells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light’s character. No individual experience of light is “truer” than any other; none improves on any previous experience of light’s “tidal pull” on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.

More books from Fairleigh Dickinson University Press

Cover of the book Reimagining Life by David S. Herrstrom
Cover of the book Just Remembering by David S. Herrstrom
Cover of the book The Wayward Woman by David S. Herrstrom
Cover of the book The Universal Vampire by David S. Herrstrom
Cover of the book Rhetoric and the Familiar in Francis Bacon and John Donne by David S. Herrstrom
Cover of the book Romantic Appropriations of History by David S. Herrstrom
Cover of the book 'True Jersey Blues' by David S. Herrstrom
Cover of the book Durrell and the City by David S. Herrstrom
Cover of the book America’s Two Constitutions by David S. Herrstrom
Cover of the book Ernst Toller and German Society by David S. Herrstrom
Cover of the book Representing Ebola by David S. Herrstrom
Cover of the book Willa Cather and Aestheticism by David S. Herrstrom
Cover of the book Embodying Difference by David S. Herrstrom
Cover of the book Shakespeare and Realism by David S. Herrstrom
Cover of the book The Unruly Tongue in Early Modern England by David S. Herrstrom
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy