How to Do Things with Art

The Meaning of Art's Performativity

Nonfiction, Art & Architecture, General Art, Criticism
Cover of the book How to Do Things with Art by Dorothea von Hantelmann, JRP | Ringier
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Dorothea von Hantelmann ISBN: 9783037643693
Publisher: JRP | Ringier Publication: August 5, 2014
Imprint: JRP | Ringier Language: English
Author: Dorothea von Hantelmann
ISBN: 9783037643693
Publisher: JRP | Ringier
Publication: August 5, 2014
Imprint: JRP | Ringier
Language: English

Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's close analysis of works by Buren, Coleman, Koons and Sehgal explores how each of these artists has taken control of how their work conducts itself in the world.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's close analysis of works by Buren, Coleman, Koons and Sehgal explores how each of these artists has taken control of how their work conducts itself in the world.

More books from Criticism

Cover of the book Impersonal Enunciation, or the Place of Film by Dorothea von Hantelmann
Cover of the book The Peanuts Papers: Charlie Brown, Snoopy & the Gang, and the Meaning of Life by Dorothea von Hantelmann
Cover of the book Crank by Ellen Hopkins Summary & Study Guide by Dorothea von Hantelmann
Cover of the book Le Dernier Abencerage by Dorothea von Hantelmann
Cover of the book The Mango Express by Dorothea von Hantelmann
Cover of the book Encyclopedia of Life Writing by Dorothea von Hantelmann
Cover of the book The Culture of Equity in Early Modern England by Dorothea von Hantelmann
Cover of the book The Nibelungen Tradition by Dorothea von Hantelmann
Cover of the book British Cinema in the Fifties by Dorothea von Hantelmann
Cover of the book Defining Surrealism: Relations between Nadja, Photography and the Surrealist Movement by Dorothea von Hantelmann
Cover of the book New Exodus in John by Dorothea von Hantelmann
Cover of the book Sylvia Plath by Dorothea von Hantelmann
Cover of the book Le philosophe sort à cinq heures by Dorothea von Hantelmann
Cover of the book How to play the E pentatonic minor scale: Secrets of the Guitar by Dorothea von Hantelmann
Cover of the book August Wilson's Pittsburgh Cycle by Dorothea von Hantelmann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy