Homer's Odyssey and the Near East

Nonfiction, History, Ancient History, Fiction & Literature, Literary Theory & Criticism
Cover of the book Homer's Odyssey and the Near East by Bruce Louden, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bruce Louden ISBN: 9780511853234
Publisher: Cambridge University Press Publication: January 6, 2011
Imprint: Cambridge University Press Language: English
Author: Bruce Louden
ISBN: 9780511853234
Publisher: Cambridge University Press
Publication: January 6, 2011
Imprint: Cambridge University Press
Language: English

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Odyssey's larger plot is composed of a number of distinct genres of myth, all of which are extant in various Near Eastern cultures (Mesopotamian, West Semitic, Egyptian). Unexpectedly, the Near Eastern culture with which the Odyssey has the most parallels is the Old Testament. Consideration of how much of the Odyssey focuses on non-heroic episodes - hosts receiving guests, a king disguised as a beggar, recognition scenes between long-separated family members - reaffirms the Odyssey's parallels with the Bible. In particular the book argues that the Odyssey is in a dialogic relationship with Genesis, which features the same three types of myth that comprise the majority of the Odyssey: theoxeny, romance (Joseph in Egypt), and Argonautic myth (Jacob winning Rachel from Laban). The Odyssey also offers intriguing parallels to the Book of Jonah, and Odysseus' treatment by the suitors offers close parallels to the Gospels' depiction of Christ in Jerusalem.

More books from Cambridge University Press

Cover of the book Access to Asylum by Bruce Louden
Cover of the book The Cambridge Companion to Modernist Women Writers by Bruce Louden
Cover of the book Democracy in a Russian Mirror by Bruce Louden
Cover of the book Speech and Society in Turbulent Times by Bruce Louden
Cover of the book Rivalry and Revenge by Bruce Louden
Cover of the book Papacy, Monarchy and Marriage 860–1600 by Bruce Louden
Cover of the book Twentieth-Century British Theatre by Bruce Louden
Cover of the book Passive Imaging with Ambient Noise by Bruce Louden
Cover of the book The Politics of Nationalism in Modern Iran by Bruce Louden
Cover of the book Baroque Antiquity by Bruce Louden
Cover of the book Development of Geocentric Spatial Language and Cognition by Bruce Louden
Cover of the book Neoclassical Realism, the State, and Foreign Policy by Bruce Louden
Cover of the book The Principles and Practice of International Commercial Arbitration by Bruce Louden
Cover of the book Black–Latino Relations in U.S. National Politics by Bruce Louden
Cover of the book Confidence, Likelihood, Probability by Bruce Louden
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy