Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900

Nonfiction, Reference & Language, Reference, Genealogy, History, Medieval
Cover of the book Graphic Signs of Authority in Late Antiquity and the Early Middle Ages, 300-900 by Ildar Garipzanov, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ildar Garipzanov ISBN: 9780192546623
Publisher: OUP Oxford Publication: April 26, 2018
Imprint: OUP Oxford Language: English
Author: Ildar Garipzanov
ISBN: 9780192546623
Publisher: OUP Oxford
Publication: April 26, 2018
Imprint: OUP Oxford
Language: English

Graphic Signs of Authority in Late Antiquity and the Early Middle Ages presents a cultural history of graphic signs and examines how they were employed to communicate secular and divine authority in the late antique Mediterranean and early medieval Europe. Visual materials such as the sign of the cross, christograms, monograms, and other such devices, are examined against the backdrop of the cultural, religious, and socio-political transition from the late Graeco-Roman world to that of medieval Europe. This monograph is a synthetic study of graphic visual evidence from a wide range of material media that have rarely been studied collectively, including various mass-produced items and unique objects of art, architectural monuments and epigraphic inscriptions, as well as manuscripts and charters. This study promises to provide a timely reference tool for historians, art historians, archaeologists, epigraphists, manuscript scholars, and numismatists.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Graphic Signs of Authority in Late Antiquity and the Early Middle Ages presents a cultural history of graphic signs and examines how they were employed to communicate secular and divine authority in the late antique Mediterranean and early medieval Europe. Visual materials such as the sign of the cross, christograms, monograms, and other such devices, are examined against the backdrop of the cultural, religious, and socio-political transition from the late Graeco-Roman world to that of medieval Europe. This monograph is a synthetic study of graphic visual evidence from a wide range of material media that have rarely been studied collectively, including various mass-produced items and unique objects of art, architectural monuments and epigraphic inscriptions, as well as manuscripts and charters. This study promises to provide a timely reference tool for historians, art historians, archaeologists, epigraphists, manuscript scholars, and numismatists.

More books from OUP Oxford

Cover of the book The Normativity of Nature by Ildar Garipzanov
Cover of the book Preliminary References to the European Court of Justice by Ildar Garipzanov
Cover of the book Dinosaurs: A Very Short Introduction by Ildar Garipzanov
Cover of the book Soft Matter Physics by Ildar Garipzanov
Cover of the book The Oxford Handbook of Samuel Taylor Coleridge by Ildar Garipzanov
Cover of the book Not Bread Alone by Ildar Garipzanov
Cover of the book The Right to Health in International Law by Ildar Garipzanov
Cover of the book Resolution and Insolvency of Banks and Financial Institutions by Ildar Garipzanov
Cover of the book The Oxford Handbook of Music Psychology by Ildar Garipzanov
Cover of the book Staying Power by Ildar Garipzanov
Cover of the book A Primer in Social Choice Theory by Ildar Garipzanov
Cover of the book Essential Tremor by Ildar Garipzanov
Cover of the book Computability and Randomness by Ildar Garipzanov
Cover of the book Classics: A Very Short Introduction by Ildar Garipzanov
Cover of the book Rationality and Reflection by Ildar Garipzanov
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy