Divine Love

Luce Irigaray, Women, Gender, and Religion

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Women&, History, Modern, 20th Century
Cover of the book Divine Love by Morny Joy, Manchester University Press
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Author: Morny Joy ISBN: 9781847795250
Publisher: Manchester University Press Publication: July 19, 2013
Imprint: Manchester University Press Language: English
Author: Morny Joy
ISBN: 9781847795250
Publisher: Manchester University Press
Publication: July 19, 2013
Imprint: Manchester University Press
Language: English

'Divine love' explores the work of Luce Irigaray for the first time from the perspective of Religious Studies. The book examines the development of religious themes in Irigaray's work from 'Speculum of the Other Woman', in which she rejects traditional forms of western religion, to her more recent explorations of eastern religions. Irigaray's ideas on love, the divine, the ethics of sexual difference and normative heterosexuality are analysed and placed in the context of the reception of her work by secular feminists such as Judith Butler, Drucilla Cornell and Elizabeth Grosz, as well as by feminists in Religious Studies such as Pamela Sue Anderson, Ellen Armour, Amy Hollywood and Grace Jantzen. Finally, Irigaray's own spiritual path, which has been influenced by eastern religions, specifically the disciplines of yoga and tantra in Hinduism and Buddhism, is evaluated on the light of recent theoretical developments in orientalism and postcolonialism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

'Divine love' explores the work of Luce Irigaray for the first time from the perspective of Religious Studies. The book examines the development of religious themes in Irigaray's work from 'Speculum of the Other Woman', in which she rejects traditional forms of western religion, to her more recent explorations of eastern religions. Irigaray's ideas on love, the divine, the ethics of sexual difference and normative heterosexuality are analysed and placed in the context of the reception of her work by secular feminists such as Judith Butler, Drucilla Cornell and Elizabeth Grosz, as well as by feminists in Religious Studies such as Pamela Sue Anderson, Ellen Armour, Amy Hollywood and Grace Jantzen. Finally, Irigaray's own spiritual path, which has been influenced by eastern religions, specifically the disciplines of yoga and tantra in Hinduism and Buddhism, is evaluated on the light of recent theoretical developments in orientalism and postcolonialism.

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