Conceptual Blending in Advertisements

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Conceptual Blending in Advertisements by Tamara Berlstein, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tamara Berlstein ISBN: 9783640646685
Publisher: GRIN Publishing Publication: June 21, 2010
Imprint: GRIN Publishing Language: English
Author: Tamara Berlstein
ISBN: 9783640646685
Publisher: GRIN Publishing
Publication: June 21, 2010
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Linguistics, grade: 2,3, Justus-Liebig-University Giessen (Anglistik), course: Cognitive Linguistics, language: English, abstract: Everyday and everywhere we are surrounded by advertisement. 90% of it disappears in a blur of pictures and information, but sometimes a billboard or a television spot catches our attention. Due to mature markets many products and services are often exchangeable for the consumer. Advertisers reacted on this development by changing their strategies. Advertisement is not only providing information anymore, it is supposed to evoke emotions. Innovations like the internet have changed the marketing strategies as well. In order to always be more creative, more appealing, and more outstanding than the competition new advertising strategies have emerged. But what makes advertisement creative, interesting, outstanding? Apart from the product itself it is language and the symbols that are used to present the product. This is where the connection from advertisement to linguistics comes from. We know that conceptual blendings are important parts of many jokes, cartoons and of human imagination and thought in general. In order to show the wide range of ways blending can be used in advertisements, I chose examples from four different media: Print media, television, outdoor advertisement and viral advertisement. Since the perception of blends as well as advertisement always depends on the beholder I started a little survey, asking three persons for their reaction on the respective advertisement. In the beginning I am going to introduce and discuss the Conceptual Blending Theory. Then I am going to introduce the relevant advertisement techniques and my corpus. Finally I want to give my conclusion. In the appendix you can find pictures belonging to the respective campaigns.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Linguistics, grade: 2,3, Justus-Liebig-University Giessen (Anglistik), course: Cognitive Linguistics, language: English, abstract: Everyday and everywhere we are surrounded by advertisement. 90% of it disappears in a blur of pictures and information, but sometimes a billboard or a television spot catches our attention. Due to mature markets many products and services are often exchangeable for the consumer. Advertisers reacted on this development by changing their strategies. Advertisement is not only providing information anymore, it is supposed to evoke emotions. Innovations like the internet have changed the marketing strategies as well. In order to always be more creative, more appealing, and more outstanding than the competition new advertising strategies have emerged. But what makes advertisement creative, interesting, outstanding? Apart from the product itself it is language and the symbols that are used to present the product. This is where the connection from advertisement to linguistics comes from. We know that conceptual blendings are important parts of many jokes, cartoons and of human imagination and thought in general. In order to show the wide range of ways blending can be used in advertisements, I chose examples from four different media: Print media, television, outdoor advertisement and viral advertisement. Since the perception of blends as well as advertisement always depends on the beholder I started a little survey, asking three persons for their reaction on the respective advertisement. In the beginning I am going to introduce and discuss the Conceptual Blending Theory. Then I am going to introduce the relevant advertisement techniques and my corpus. Finally I want to give my conclusion. In the appendix you can find pictures belonging to the respective campaigns.

More books from GRIN Publishing

Cover of the book 'The Man Who Saved the World'? - How the British Think About Winston Churchill Today by Tamara Berlstein
Cover of the book Tournament Theory and its Relevance to Executive Pay by Tamara Berlstein
Cover of the book Environmental Management by Tamara Berlstein
Cover of the book Wildlife corridors and their effects on brown bears (Ursus arctos): a survey of Alberta citizens on knowledge and attitudes by Tamara Berlstein
Cover of the book Weighing the Costs and Benefits of Mexican Immigration by Tamara Berlstein
Cover of the book Assessing east-west labour migration after EU-enlargement by Tamara Berlstein
Cover of the book Relationship between Balik-Islam (Muslim Reverts) and full-fledged Muslims under the Auspices of Islamic Teachings in Philippine Setting by Tamara Berlstein
Cover of the book Ein Vergleich der beiden Hauptcharaktere aus 'Markens Grøde' und 'Sein eigener Herr' in Bezug auf ihre Einstellung zur Familie by Tamara Berlstein
Cover of the book 'Debt is bad' - A refutation by Tamara Berlstein
Cover of the book Turkey and EU - What Does the Society Think? by Tamara Berlstein
Cover of the book Poetic Justice in William Faulkner's 'Absalom Absalom' by Tamara Berlstein
Cover of the book Uno ade? The System of 'Collective Security' in the Context of the Iraq-Kuwait-Crisis by Tamara Berlstein
Cover of the book Analysis of minimum size requirements of organizations for the implementation of enterprise resource planning systems by Tamara Berlstein
Cover of the book Creative Accounting, the Enron Case and its impact on Corporate Governance by Tamara Berlstein
Cover of the book False heroism in Sean O'Casey's 'The Shadow of a Gunman' by Tamara Berlstein
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy