Camille Corot: 130 Paintings
Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Oil Painting, Art & Architecture, General Art
| Author: | Jessica Findley | ISBN: | 9782765906735 |
| Publisher: | Osmora Inc. | Publication: | December 2, 2014 |
| Imprint: | Osmora Inc. | Language: | English |
| Author: | Jessica Findley |
| ISBN: | 9782765906735 |
| Publisher: | Osmora Inc. |
| Publication: | December 2, 2014 |
| Imprint: | Osmora Inc. |
| Language: | English |
Camille Corot was a French landscape painter and the leading artist of the Barbizon school. Corot is a key figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. Corot often credited as a precursor of Impressionist practice, but he approached his landscapes more traditionally than is usually believed. Compared to the Impressionists who came later, Corot's palette is restrained, dominated with browns and blacks along with dark and silvery green. Though appearing at times to be rapid and spontaneous, usually his strokes were controlled and careful, and his compositions well-thought out and generally rendered as simply and concisely as possible, heightening the poetic effect of the imagery.His contributions to figure painting are hardly less important; Degas preferred his figures to his landscapes, and the classical figures of Picasso pay overt homage to Corot's influence.
Camille Corot was a French landscape painter and the leading artist of the Barbizon school. Corot is a key figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. Corot often credited as a precursor of Impressionist practice, but he approached his landscapes more traditionally than is usually believed. Compared to the Impressionists who came later, Corot's palette is restrained, dominated with browns and blacks along with dark and silvery green. Though appearing at times to be rapid and spontaneous, usually his strokes were controlled and careful, and his compositions well-thought out and generally rendered as simply and concisely as possible, heightening the poetic effect of the imagery.His contributions to figure painting are hardly less important; Degas preferred his figures to his landscapes, and the classical figures of Picasso pay overt homage to Corot's influence.
